Went to the farmer's market today, which was lovely and relaxed, with an old-time music festival in the adjoining park. People flowed back and forth between the two, eating plates of delicious smelling food, and biting into apples and peaches. Small dancing children, chatting adults, young ccouples on blankets.
If-I'd-Had-A-Camera Moment: A grey haired lady who had a small table covered with little cobalt blue bottles and a sign saying "homemade healing herbals." Standing in front of her table, a woman held opened her blouse while the grey haired lady earnestly rubbed an oil between her breasts. The woman getting the mini-healing-massage had her eyes closed, her face up to the sun and such a deep look of surrender, while we all walked around her, in the warmth and the music and the smells of cooking food. What was the story here, I wondered. Breast cancer? Heartache?
A few days ago I ran into a friend and asked about something he'd told me about a few weeks earlier. How can you remember I was doing that? he asked.
Easy. The stories are so endlessly interesting. I go around gleaning moments, as lives brush up against mine, and just for a few seconds, or a year, or a lifetime, our stories flow together.
Saturday, September 13, 2008
Tuesday, September 9, 2008
Odd book titles, finishing touches on Big Cat Pepper
My blog today should be "read, write, laugh."
One of the things I don't do well is come up with titles. I admire people who do short snappy titles -- Laurie Halse Anderson is incredible at this with titles like Speak and Chains. I seem to prefer ten words or more....
So here's a contest for oddest book title of the year, started at the international Bologna Book Fair. Read to the end (it's a short article) for a good laugh.
We're getting down to the details on Big Cat Pepper. Melanie Cecka at Bloomsbury just sent me flap copy to check over, and asked for my dedication. Lauren Castillo's artwork is all done and is absolutely gorgeous.
One of the things I don't do well is come up with titles. I admire people who do short snappy titles -- Laurie Halse Anderson is incredible at this with titles like Speak and Chains. I seem to prefer ten words or more....
So here's a contest for oddest book title of the year, started at the international Bologna Book Fair. Read to the end (it's a short article) for a good laugh.
We're getting down to the details on Big Cat Pepper. Melanie Cecka at Bloomsbury just sent me flap copy to check over, and asked for my dedication. Lauren Castillo's artwork is all done and is absolutely gorgeous.
Friday, September 5, 2008
Museum of Art and History in Santa Cruz
My dad and I had a great evening in Santa Cruz, due in part to a great write-up in Metro Santa Cruz beforehand, we had a lively audience and rocking party at the Museum of Art and History .
Gathering beforehand in the Sculpture Garden:
Wonderful audience:
My cousin Rym and his beautiful wife Winnie showed up: (Okay, he looks like a pirate in this shot, as in "arrrgh, Matey," but he's not. He does love the ocean -- he's a fantastic surfer who actually has a stretch of surf named after him in Santa Cruz called after him: Rym's Reef.)
Gathering beforehand in the Sculpture Garden:
Wonderful audience:
My cousin Rym and his beautiful wife Winnie showed up: (Okay, he looks like a pirate in this shot, as in "arrrgh, Matey," but he's not. He does love the ocean -- he's a fantastic surfer who actually has a stretch of surf named after him in Santa Cruz called after him: Rym's Reef.)
Thursday, August 14, 2008
My dad's photo show at the Santa Cruz Museum and We Visit the Cemetery
For the past couple of years, a show of my father's photos, From the Byways to the Highways, has been touring around California, thanks to CERA. My dad's name is Rondal Partridge, and he's been photographing for about 75 years.
The show is finally on it's last stop, in Santa Cruz at the Museum of Art and History. We'll be having a party to close it down and to thank the museum and their donors for doing such a great job with the presentation. It's been fun to watch the progress of the show. Several times my dad and I have gone to the museum where the show currently was to give a talk. (See my post of Sunday, march 9, 2008 for our Hayward visit.)
This talk just happens to be on Ron's birthday, so we'll celebrate with champagne and cake as he turns 91. Still photographing, still talking, still cooking, still going to exercise class, still beetling down to the back yard to check on his zuchinni and chard and tomato plants. Did I mention, still talking? A man who loves life.
I recently went for the first time to visit the cemetery where our family has had a plot for years. I do mean years -- my great-great grandfather bought a nice spot on a sunny slope in the late 1800s. He and his family are buried there, in a grassy plot with low granite walls around the outside. My grandparents, whom I adored, are there, tidily set in one corner. It's called Mountain View Cemetery, designed by Frederick Law Ohlmsted, and it's big, 250 acres of rolling hills covered with old weathered headstones and a few ancient gray crypts, listing slightly.
My father and I happened to be driving by a few days later, and I asked if he'd like to go see the family plot. He'd never seen it either, though it has figured in our family lore for years, and is only a few miles from my parents' house. We drove in through the formal gates, and I told him the people in the office, who'd showed me where to look for the family gravesite, had asked me if we had "placed" anyone yet. My dad thought that was as funny as I did. Such a carefully neutral word, "placed."
He liked the spot -- up on a hillside, looking across the valley. He shaded his eyes, looked from one side of the valley to the other. "Sunlight all day," he said, approving, like he was a sun loving plant being put in just the right place.
He rambled around for awhile, reading headstones, getting a feel for the neighborhood. Then he turned to me. "Okay," he said. "Let's go."
The show is finally on it's last stop, in Santa Cruz at the Museum of Art and History. We'll be having a party to close it down and to thank the museum and their donors for doing such a great job with the presentation. It's been fun to watch the progress of the show. Several times my dad and I have gone to the museum where the show currently was to give a talk. (See my post of Sunday, march 9, 2008 for our Hayward visit.)
This talk just happens to be on Ron's birthday, so we'll celebrate with champagne and cake as he turns 91. Still photographing, still talking, still cooking, still going to exercise class, still beetling down to the back yard to check on his zuchinni and chard and tomato plants. Did I mention, still talking? A man who loves life.
I recently went for the first time to visit the cemetery where our family has had a plot for years. I do mean years -- my great-great grandfather bought a nice spot on a sunny slope in the late 1800s. He and his family are buried there, in a grassy plot with low granite walls around the outside. My grandparents, whom I adored, are there, tidily set in one corner. It's called Mountain View Cemetery, designed by Frederick Law Ohlmsted, and it's big, 250 acres of rolling hills covered with old weathered headstones and a few ancient gray crypts, listing slightly.
My father and I happened to be driving by a few days later, and I asked if he'd like to go see the family plot. He'd never seen it either, though it has figured in our family lore for years, and is only a few miles from my parents' house. We drove in through the formal gates, and I told him the people in the office, who'd showed me where to look for the family gravesite, had asked me if we had "placed" anyone yet. My dad thought that was as funny as I did. Such a carefully neutral word, "placed."
He liked the spot -- up on a hillside, looking across the valley. He shaded his eyes, looked from one side of the valley to the other. "Sunlight all day," he said, approving, like he was a sun loving plant being put in just the right place.
He rambled around for awhile, reading headstones, getting a feel for the neighborhood. Then he turned to me. "Okay," he said. "Let's go."
Wednesday, August 6, 2008
Blogging threads, the beauty of expressions
Sometimes I wonder if blogging is just entirely self-referencing -- running in little circles around a small group. My last post was about Lois Lowry. A teen, reading my blog, gave a report on it to her group at the YMCA. "A writer's blog, by a writer for other writers." That's pretty succinct, and accurate.
This teen is from Guatemala and has only been here a few years. After she read my post she went to the library and read a couple of Lois Lowry's books.
Score.
And a lovely expression from a friend of mine from El Salvador as we were talking about how much you need your friends and family around when you are very old. "Money doesn't walk to your bed," she said.
This teen is from Guatemala and has only been here a few years. After she read my post she went to the library and read a couple of Lois Lowry's books.
Score.
And a lovely expression from a friend of mine from El Salvador as we were talking about how much you need your friends and family around when you are very old. "Money doesn't walk to your bed," she said.
Thursday, July 24, 2008
Lois Lowry's magical touch, and how fantasy and non-fiction come from the same place
Lois Lowry has a recent wonderful blog post on July 24th. In a short paragraph she pulls together everything I love about writing: transforming the world into a magical place with imagination, a few twigs and stones, and a paper crane. She condense it all into a few beautiful sentences, ending with her acknowledgment of the ephemeral nature of the process.
Really, this isn't just about writing fantasy. It's about any writing. It's what I do when I'm doing non-fiction: take myself back, back, back there, write with emotion and passion, holding tight to the facts, to what people have said they felt, to how it smelled and looked and sounded. When it goes well, I'm not in the present, sitting hunched over my keyboard, a flurry of paper scraps all around me. I am there, as much as I can be there. I come out of those great writing sessions slightly confused and blinking, like an owlet exposed to sudden bright light.
Check out Lois Lowry's post. She's brilliant. Scroll down to her post, "All Kinds of Narrative."
Really, this isn't just about writing fantasy. It's about any writing. It's what I do when I'm doing non-fiction: take myself back, back, back there, write with emotion and passion, holding tight to the facts, to what people have said they felt, to how it smelled and looked and sounded. When it goes well, I'm not in the present, sitting hunched over my keyboard, a flurry of paper scraps all around me. I am there, as much as I can be there. I come out of those great writing sessions slightly confused and blinking, like an owlet exposed to sudden bright light.
Check out Lois Lowry's post. She's brilliant. Scroll down to her post, "All Kinds of Narrative."
Tuesday, July 22, 2008
Five Years On for the Martha Weston Grant
For the past five years, I've been the chair of the Martha Weston Grant through SCBWI. I'm turning the reins over to Lissa Rovetch now. I wrote to all the past winners to hear how they are doing, and got back lovely replies from all of them.
Reading over these replies has made me feel proud and gratified what an award like this can do to encourage people. Publishing is not an easy business, and it's wonderful to see how people can soak up a little bit of juice and transform it into book making. In the end, authors and illustrators, teachers and parents, and especially kids benefit.
I feel incredible grateful to Martha's family for funding and supporting this award.
And Martha, wherever your spirit is these days, I love you. You're still touching us here through your books and your grant.
Steve Mooser and Lin Oliver will give a presentation on the previous winners at this year's SCBWI conference.
ROBERTA COLLIER-MORALES
Hi Betsy-
Since winning the award, I've submitted a book dummy and have had 6
people turn me down. I'm working on a series of board book ideas that
I'm writing and illustrating and am still working on "The Running
Quilt" manuscript for the teen crowd. I have to support myself and
family as an illustrator and because much of the educational
illustration work is now being outsourced to Korea, South Africa and
India, many of us who depended on that work to support ourselves are
scrambling to find ways to make a living. As a result, I've been
learning about and pursuing Licensing my art so have been in two trade
shows - CHA (Craft and Hobby Association) as well as the International
Licensing Show and will have booths in both of those shows again in
2009. I'm determined to continue supporting myself in the arts and
one of my major goals is to have at least two more manuscripts and
book dummies ready to present before the end of 2008, I'm
concentrating on the board books as I think I have a bet
ter shot at getting these published than my chapter book. I'm still
the Illustrator co-ordinator for the RMC-SCBWI and am getting ready
for our fall conference, followed by my daughters wedding in New York
City, followed by Open Studio's here in Boulder- it's going to be
quite a ride!
Winning the Martha Weston Award was one of the highlights of my life
- I will make you proud- it's just taking longer than I'd hoped due to
the turn of events in the publishing arena. Life is always full of
unexpected turns, and learning to ride the waves is a life-long
challenge for all of us! My motto is "onward and upward", I'm not one
to give up, I just dig my heals in and become more determined than
ever!
Thank you again, for the honor! Roberta
FIONA BAYROCK
Hi Betsy,
The four years since I received the Martha Weston Grant
have been full ones for me. In this business that always seems to move
glacially and be riddled with rejection and wishes, it's good to stop and
reflect about all that *has* gone well. So thank you for sparking that
reflection in me this week. :^)
Since I received the Martha Weston Grant four years ago I've continued to
enjoy successes in my established genre of science writing, including 14 books
published for education and specialty markets for Scholastic U.S., Scholastic
Canada, and Capstone Press; articles in Highlights for Children, YES Mag,
KNOW, and Hopscotch for Girls; and a contract for my first trade book, BUBBLE
HOMES AND FISH FARTS (Charlesbridge, 2009 Carolyn Conahan, Illus.), which
I've just found out has been named a Junior Library Guild Selection.
I applied for the Martha Weston Grant to support my branching out into
humorous fiction. Let me express again my gratitude for being selected for
this grant. It was a huge boost to my fiction writing. The 2004 SCBWI-LA
conference was chock full of award-winning humour writers---Bruce Coville, Jon
Scieszka, Sid Fleischman, Gordon Korman...wow. To listen to each of them talk
about their process and approach, and to benefit from their tips and advice
was an amazing education. It put a lot of things in perspective and unlocked
many doors in my head. Since then, I've been hard at work learning the craft
and developing my fiction skills on several projects, two of which I've just
begun to submit to publishers (a surprisingly scary thing to do! :^). No
fiction book contracts yet, but I have had one encouraging humorous fiction
success---a poem sale to Highlights for Children.
An interesting anecdote from the conference...
You know how you hear stories about an author who meets an editor in an
elevator and they go on to sign a book contract together? I thought it was an
urban myth, but it turns out it really does happen---it happened to me at the
2004 SCBWI-LA conference! As I was heading up to my room for 20 minutes of
quiet time before the next conference session, one other person waited beside
me for the elevator. As is the delightful custom at these conferences, we
introduced ourselves and struck up a conversation. After we'd established
names and hometowns, she asked what I did. "I'm a children's science
writer." "Oh?" she said, "What a coincidence. I'm a children's science editor.
Say, would you like to find a quiet place to talk?" By this time, we were in
the elevator and on the way up, so we exited at the next floor, called an
elevator car going down, and found a corner in the main hall, where we
proceeded to have a 45-minute chat, The editor later treated me to supper in
the hotel restaurant. I ended up writing eight books for her publisher. :^)
Sincerely,
--Fiona
BARBARA JEAN HICKS
Hi Betsy,
It's been almost a year since the Martha Weston Grant sent me to the
SCBWI Summer Conference, and it's been a busy and fulfilling twelve
months!
You probably remember that as a picture book author, the new genre I
was interested in pursuing was picture book illustration. As a result
of the grant, I put together my first art portfolio and displayed it
at the conference—the first time I had ever shared my artwork in
public.
Since that time, I've also had my first portfolio review from an art
director at a major publishing house (extremely instructive!), printed
and sold a line of greeting cards through my local children's
bookstore, and developed a series of visually appealing marketing
materials to sell my visiting author services. I'm even using one of
my cut-paper illustrations as a personal "brand" to help potential
clients remember me—an idea I picked up at one of the workshops at the
conference!
I have an idea for an author-illustrated book I'm very excited about,
but it's still in the "thinking" stage. Meanwhile, after a long dry
spell, I've signed a contract for my fifth children's book, a picture
book called MONSTERS DON'T EAT BROCCOLI illustrated by British artist
Sue Hendra and scheduled for release in Summer 2009. I have another
picture book manuscript ready to send out and several more that are in
various stages of revision.
Also, after participating in 33 promotional events last year, from
bookstore signings to school and library visits to charitable events,
I've recently hired a booking agent to help me find and manage
additional speaking opportunities around the country. I'm very excited
about the possibilities!
I feel as if my career as a children's author and speaker has jumped
into high gear since last year's conference. Although I'm not there
yet, for the first time I feel as if it might really be possible to
make a living in this crazy children's book business! I am so grateful
for having been the recipient of the Martha Weston Grant. Thanks again
to you and Anna and Martha's family for giving me a chance to explore
and develop my gifts as an author, artist, speaker and entrepreneur!
Barbara Jean
LUPE RUIZ-FLORES
Hello Elizabeth,
How wonderful to hear from you. Yes, I do have some good news since my Martha Weston Grant. My second bilingual picture book, The Woodcutter's Gift, came out in October 2007. I just signed a contract for a third bilingual picture book, The Battle of the Snow Cones, due out in 2010 by Arte Publico Press. I have a historical fiction middle-grade manuscript being looked at by an agent in New York (keeping my fingers crossed).
I've been doing a lot of school visits and my latest one was on July 8 in Weslaco, Texas. It was a Title I Migrant Summer Program. Since I was a migrant worker myself at one time, the children could relate to that when I did my reading/presentation. Every student got one of my books (over 250). It was great. The pic is on my website.
Thank you for giving me the opportunity to have attended the LA SCBWI. It was an experience I will never forget. Maybe one of these days, I'll be able to attend another one. Best of luck in your new venture. And thank you for your dedication and wonderful work on the committee.
Reading over these replies has made me feel proud and gratified what an award like this can do to encourage people. Publishing is not an easy business, and it's wonderful to see how people can soak up a little bit of juice and transform it into book making. In the end, authors and illustrators, teachers and parents, and especially kids benefit.
I feel incredible grateful to Martha's family for funding and supporting this award.
And Martha, wherever your spirit is these days, I love you. You're still touching us here through your books and your grant.
Steve Mooser and Lin Oliver will give a presentation on the previous winners at this year's SCBWI conference.
ROBERTA COLLIER-MORALES
Hi Betsy-
Since winning the award, I've submitted a book dummy and have had 6
people turn me down. I'm working on a series of board book ideas that
I'm writing and illustrating and am still working on "The Running
Quilt" manuscript for the teen crowd. I have to support myself and
family as an illustrator and because much of the educational
illustration work is now being outsourced to Korea, South Africa and
India, many of us who depended on that work to support ourselves are
scrambling to find ways to make a living. As a result, I've been
learning about and pursuing Licensing my art so have been in two trade
shows - CHA (Craft and Hobby Association) as well as the International
Licensing Show and will have booths in both of those shows again in
2009. I'm determined to continue supporting myself in the arts and
one of my major goals is to have at least two more manuscripts and
book dummies ready to present before the end of 2008, I'm
concentrating on the board books as I think I have a bet
ter shot at getting these published than my chapter book. I'm still
the Illustrator co-ordinator for the RMC-SCBWI and am getting ready
for our fall conference, followed by my daughters wedding in New York
City, followed by Open Studio's here in Boulder- it's going to be
quite a ride!
Winning the Martha Weston Award was one of the highlights of my life
- I will make you proud- it's just taking longer than I'd hoped due to
the turn of events in the publishing arena. Life is always full of
unexpected turns, and learning to ride the waves is a life-long
challenge for all of us! My motto is "onward and upward", I'm not one
to give up, I just dig my heals in and become more determined than
ever!
Thank you again, for the honor! Roberta
FIONA BAYROCK
Hi Betsy,
The four years since I received the Martha Weston Grant
have been full ones for me. In this business that always seems to move
glacially and be riddled with rejection and wishes, it's good to stop and
reflect about all that *has* gone well. So thank you for sparking that
reflection in me this week. :^)
Since I received the Martha Weston Grant four years ago I've continued to
enjoy successes in my established genre of science writing, including 14 books
published for education and specialty markets for Scholastic U.S., Scholastic
Canada, and Capstone Press; articles in Highlights for Children, YES Mag,
KNOW, and Hopscotch for Girls; and a contract for my first trade book, BUBBLE
HOMES AND FISH FARTS (Charlesbridge, 2009 Carolyn Conahan, Illus.), which
I've just found out has been named a Junior Library Guild Selection.
I applied for the Martha Weston Grant to support my branching out into
humorous fiction. Let me express again my gratitude for being selected for
this grant. It was a huge boost to my fiction writing. The 2004 SCBWI-LA
conference was chock full of award-winning humour writers---Bruce Coville, Jon
Scieszka, Sid Fleischman, Gordon Korman...wow. To listen to each of them talk
about their process and approach, and to benefit from their tips and advice
was an amazing education. It put a lot of things in perspective and unlocked
many doors in my head. Since then, I've been hard at work learning the craft
and developing my fiction skills on several projects, two of which I've just
begun to submit to publishers (a surprisingly scary thing to do! :^). No
fiction book contracts yet, but I have had one encouraging humorous fiction
success---a poem sale to Highlights for Children.
An interesting anecdote from the conference...
You know how you hear stories about an author who meets an editor in an
elevator and they go on to sign a book contract together? I thought it was an
urban myth, but it turns out it really does happen---it happened to me at the
2004 SCBWI-LA conference! As I was heading up to my room for 20 minutes of
quiet time before the next conference session, one other person waited beside
me for the elevator. As is the delightful custom at these conferences, we
introduced ourselves and struck up a conversation. After we'd established
names and hometowns, she asked what I did. "I'm a children's science
writer." "Oh?" she said, "What a coincidence. I'm a children's science editor.
Say, would you like to find a quiet place to talk?" By this time, we were in
the elevator and on the way up, so we exited at the next floor, called an
elevator car going down, and found a corner in the main hall, where we
proceeded to have a 45-minute chat, The editor later treated me to supper in
the hotel restaurant. I ended up writing eight books for her publisher. :^)
Sincerely,
--Fiona
BARBARA JEAN HICKS
Hi Betsy,
It's been almost a year since the Martha Weston Grant sent me to the
SCBWI Summer Conference, and it's been a busy and fulfilling twelve
months!
You probably remember that as a picture book author, the new genre I
was interested in pursuing was picture book illustration. As a result
of the grant, I put together my first art portfolio and displayed it
at the conference—the first time I had ever shared my artwork in
public.
Since that time, I've also had my first portfolio review from an art
director at a major publishing house (extremely instructive!), printed
and sold a line of greeting cards through my local children's
bookstore, and developed a series of visually appealing marketing
materials to sell my visiting author services. I'm even using one of
my cut-paper illustrations as a personal "brand" to help potential
clients remember me—an idea I picked up at one of the workshops at the
conference!
I have an idea for an author-illustrated book I'm very excited about,
but it's still in the "thinking" stage. Meanwhile, after a long dry
spell, I've signed a contract for my fifth children's book, a picture
book called MONSTERS DON'T EAT BROCCOLI illustrated by British artist
Sue Hendra and scheduled for release in Summer 2009. I have another
picture book manuscript ready to send out and several more that are in
various stages of revision.
Also, after participating in 33 promotional events last year, from
bookstore signings to school and library visits to charitable events,
I've recently hired a booking agent to help me find and manage
additional speaking opportunities around the country. I'm very excited
about the possibilities!
I feel as if my career as a children's author and speaker has jumped
into high gear since last year's conference. Although I'm not there
yet, for the first time I feel as if it might really be possible to
make a living in this crazy children's book business! I am so grateful
for having been the recipient of the Martha Weston Grant. Thanks again
to you and Anna and Martha's family for giving me a chance to explore
and develop my gifts as an author, artist, speaker and entrepreneur!
Barbara Jean
LUPE RUIZ-FLORES
Hello Elizabeth,
How wonderful to hear from you. Yes, I do have some good news since my Martha Weston Grant. My second bilingual picture book, The Woodcutter's Gift, came out in October 2007. I just signed a contract for a third bilingual picture book, The Battle of the Snow Cones, due out in 2010 by Arte Publico Press. I have a historical fiction middle-grade manuscript being looked at by an agent in New York (keeping my fingers crossed).
I've been doing a lot of school visits and my latest one was on July 8 in Weslaco, Texas. It was a Title I Migrant Summer Program. Since I was a migrant worker myself at one time, the children could relate to that when I did my reading/presentation. Every student got one of my books (over 250). It was great. The pic is on my website.
Thank you for giving me the opportunity to have attended the LA SCBWI. It was an experience I will never forget. Maybe one of these days, I'll be able to attend another one. Best of luck in your new venture. And thank you for your dedication and wonderful work on the committee.
Subscribe to:
Posts (Atom)
